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1) Подводное плавание: дрейф судна по ветру2) Яхтенный спорт: дрейф -
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Подводное плавание: дрейфовать -
6 made lee way
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9 leeway lee·way n
['liːˌweɪ]Naut deriva, fig margine m -
10 make а lee way
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12 De Forest, Lee
SUBJECT AREA: Broadcasting, Electronics and information technology, Photography, film and optics, Recording, Telecommunications[br]b. 26 August 1873 Council Bluffs, Iowa, USAd. 30 June 1961 Hollywood, California, USA[br]American electrical engineer and inventor principally known for his invention of the Audion, or triode, vacuum tube; also a pioneer of sound in the cinema.[br]De Forest was born into the family of a Congregational minister that moved to Alabama in 1879 when the father became President of a college for African-Americans; this was a position that led to the family's social ostracism by the white community. By the time he was 13 years old, De Forest was already a keen mechanical inventor, and in 1893, rejecting his father's plan for him to become a clergyman, he entered the Sheffield Scientific School of Yale University. Following his first degree, he went on to study the propagation of electromagnetic waves, gaining a PhD in physics in 1899 for his thesis on the "Reflection of Hertzian Waves from the Ends of Parallel Wires", probably the first US thesis in the field of radio.He then joined the Western Electric Company in Chicago where he helped develop the infant technology of wireless, working his way up from a modest post in the production area to a position in the experimental laboratory. There, working alone after normal working hours, he developed a detector of electromagnetic waves based on an electrolytic device similar to that already invented by Fleming in England. Recognizing his talents, a number of financial backers enabled him to set up his own business in 1902 under the name of De Forest Wireless Telegraphy Company; he was soon demonstrating wireless telegraphy to interested parties and entering into competition with the American Marconi Company.Despite the failure of this company because of fraud by his partners, he continued his experiments; in 1907, by adding a third electrode, a wire mesh, between the anode and cathode of the thermionic diode invented by Fleming in 1904, he was able to produce the amplifying device now known as the triode valve and achieve a sensitivity of radio-signal reception much greater than possible with the passive carborundum and electrolytic detectors hitherto available. Patented under the name Audion, this new vacuum device was soon successfully used for experimental broadcasts of music and speech in New York and Paris. The invention of the Audion has been described as the beginning of the electronic era. Although much development work was required before its full potential was realized, the Audion opened the way to progress in all areas of sound transmission, recording and reproduction. The patent was challenged by Fleming and it was not until 1943 that De Forest's claim was finally recognized.Overcoming the near failure of his new company, the De Forest Radio Telephone Company, as well as unsuccessful charges of fraudulent promotion of the Audion, he continued to exploit the potential of his invention. By 1912 he had used transformer-coupling of several Audion stages to achieve high gain at radio frequencies, making long-distance communication a practical proposition, and had applied positive feedback from the Audion output anode to its input grid to realize a stable transmitter oscillator and modulator. These successes led to prolonged patent litigation with Edwin Armstrong and others, and he eventually sold the manufacturing rights, in retrospect often for a pittance.During the early 1920s De Forest began a fruitful association with T.W.Case, who for around ten years had been working to perfect a moving-picture sound system. De Forest claimed to have had an interest in sound films as early as 1900, and Case now began to supply him with photoelectric cells and primitive sound cameras. He eventually devised a variable-density sound-on-film system utilizing a glow-discharge modulator, the Photion. By 1926 De Forest's Phonofilm had been successfully demonstrated in over fifty theatres and this system became the basis of Movietone. Though his ideas were on the right lines, the technology was insufficiently developed and it was left to others to produce a system acceptable to the film industry. However, De Forest had played a key role in transforming the nature of the film industry; within a space of five years the production of silent films had all but ceased.In the following decade De Forest applied the Audion to the development of medical diathermy. Finally, after spending most of his working life as an independent inventor and entrepreneur, he worked for a time during the Second World War at the Bell Telephone Laboratories on military applications of electronics.[br]Principal Honours and DistinctionsInstitute of Electronic and Radio Engineers Medal of Honour 1922. President, Institute of Electronic and Radio Engineers 1930. Institute of Electrical and Electronics Engineers Edison Medal 1946.Bibliography1904, "Electrolytic detectors", Electrician 54:94 (describes the electrolytic detector). 1907, US patent no. 841,387 (the Audion).1950, Father of Radio, Chicago: WIlcox \& Follett (autobiography).De Forest gave his own account of the development of his sound-on-film system in a series of articles: 1923. "The Phonofilm", Transactions of the Society of Motion Picture Engineers 16 (May): 61–75; 1924. "Phonofilm progress", Transactions of the Society of Motion Picture Engineers 20:17–19; 1927, "Recent developments in the Phonofilm", Transactions of the Society of Motion Picture Engineers 27:64–76; 1941, "Pioneering in talking pictures", Journal of the Society of Motion Picture Engineers 36 (January): 41–9.Further ReadingG.Carneal, 1930, A Conqueror of Space (biography).I.Levine, 1964, Electronics Pioneer, Lee De Forest (biography).E.I.Sponable, 1947, "Historical development of sound films", Journal of the Society of Motion Picture Engineers 48 (April): 275–303 (an authoritative account of De Forest's sound-film work, by Case's assistant).W.R.McLaurin, 1949, Invention and Innovation in the Radio Industry.C.F.Booth, 1955, "Fleming and De Forest. An appreciation", in Thermionic Valves 1904– 1954, IEE.V.J.Phillips, 1980, Early Radio Detectors, London: Peter Peregrinus.KF / JW -
13 Bruce Lee
n. Bruce Lee, (1941-1973) Amerikaanse acteur geboren in San Fransisco en in Hong Kong opgroeide die expert was in de Kung Fu (beschouwd als de grootste filmacteur in vechtskunsten van de 20-ste Eeuw; onder zijn films: "Way of the Dragon"en "Enter The Dragon") -
14 Hamilton, Harold Lee (Hal)
[br]b. 14 June 1890 Little Shasta, California, USAd. 3 May 1969 California, USA[br]American pioneer of diesel rail traction.[br]Orphaned as a child, Hamilton went to work for Southern Pacific Railroad in his teens, and then worked for several other companies. In his spare time he learned mathematics and physics from a retired professor. In 1911 he joined the White Motor Company, makers of road motor vehicles in Denver, Colorado, where he had gone to recuperate from malaria. He remained there until 1922, apart from an eighteenth-month break for war service.Upon his return from war service, Hamilton found White selling petrol-engined railbuses with mechanical transmission, based on road vehicles, to railways. He noted that they were not robust enough and that the success of petrol railcars with electric transmission, built by General Electric since 1906, was limited as they were complex to drive and maintain. In 1922 Hamilton formed, and became President of, the Electro- Motive Engineering Corporation (later Electro-Motive Corporation) to design and produce petrol-electric rail cars. Needing an engine larger than those used in road vehicles, yet lighter and faster than marine engines, he approached the Win ton Engine Company to develop a suitable engine; in addition, General Electric provided electric transmission with a simplified control system. Using these components, Hamilton arranged for his petrol-electric railcars to be built by the St Louis Car Company, with the first being completed in 1924. It was the beginning of a highly successful series. Fuel costs were lower than for steam trains and initial costs were kept down by using standardized vehicles instead of designing for individual railways. Maintenance costs were minimized because Electro-Motive kept stocks of spare parts and supplied replacement units when necessary. As more powerful, 800 hp (600 kW) railcars were produced, railways tended to use them to haul trailer vehicles, although that practice reduced the fuel saving. By the end of the decade Electro-Motive needed engines more powerful still and therefore had to use cheap fuel. Diesel engines of the period, such as those that Winton had made for some years, were too heavy in relation to their power, and too slow and sluggish for rail use. Their fuel-injection system was erratic and insufficiently robust and Hamilton concluded that a separate injector was needed for each cylinder.In 1930 Electro-Motive Corporation and Winton were acquired by General Motors in pursuance of their aim to develop a diesel engine suitable for rail traction, with the use of unit fuel injectors; Hamilton retained his position as President. At this time, industrial depression had combined with road and air competition to undermine railway-passenger business, and Ralph Budd, President of the Chicago, Burlington \& Quincy Railroad, thought that traffic could be recovered by way of high-speed, luxury motor trains; hence the Pioneer Zephyr was built for the Burlington. This comprised a 600 hp (450 kW), lightweight, two-stroke, diesel engine developed by General Motors (model 201 A), with electric transmission, that powered a streamlined train of three articulated coaches. This train demonstrated its powers on 26 May 1934 by running non-stop from Denver to Chicago, a distance of 1,015 miles (1,635 km), in 13 hours and 6 minutes, when the fastest steam schedule was 26 hours. Hamilton and Budd were among those on board the train, and it ushered in an era of high-speed diesel trains in the USA. By then Hamilton, with General Motors backing, was planning to use the lightweight engine to power diesel-electric locomotives. Their layout was derived not from steam locomotives, but from the standard American boxcar. The power plant was mounted within the body and powered the bogies, and driver's cabs were at each end. Two 900 hp (670 kW) engines were mounted in a single car to become an 1,800 hp (l,340 kW) locomotive, which could be operated in multiple by a single driver to form a 3,600 hp (2,680 kW) locomotive. To keep costs down, standard locomotives could be mass-produced rather than needing individual designs for each railway, as with steam locomotives. Two units of this type were completed in 1935 and sent on trial throughout much of the USA. They were able to match steam locomotive performance, with considerable economies: fuel costs alone were halved and there was much less wear on the track. In the same year, Electro-Motive began manufacturing diesel-electrie locomotives at La Grange, Illinois, with design modifications: the driver was placed high up above a projecting nose, which improved visibility and provided protection in the event of collision on unguarded level crossings; six-wheeled bogies were introduced, to reduce axle loading and improve stability. The first production passenger locomotives emerged from La Grange in 1937, and by early 1939 seventy units were in service. Meanwhile, improved engines had been developed and were being made at La Grange, and late in 1939 a prototype, four-unit, 5,400 hp (4,000 kW) diesel-electric locomotive for freight trains was produced and sent out on test from coast to coast; production versions appeared late in 1940. After an interval from 1941 to 1943, when Electro-Motive produced diesel engines for military and naval use, locomotive production resumed in quantity in 1944, and within a few years diesel power replaced steam on most railways in the USA.Hal Hamilton remained President of Electro-Motive Corporation until 1942, when it became a division of General Motors, of which he became Vice-President.[br]Further ReadingP.M.Reck, 1948, On Time: The History of the Electro-Motive Division of General Motors Corporation, La Grange, Ill.: General Motors (describes Hamilton's career).PJGRBiographical history of technology > Hamilton, Harold Lee (Hal)
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15 leeway
lee·way [ʼli:weɪ] nSpielraum m;to give sb \leeway jdm Spielraum einräumen;to be left \leeway to do sth Spielraum haben, um etw zu tun;to make up \leeway Liegengebliebenes aufarbeiten -
16 leeway
1) (the drifting of a ship etc away from its true course, or the amount of this.) deriva2) (lost time: He has a lot of leeway to make up at school after being away ill.) tempo perdido3) (extra space, time etc allowed: Book the later flight so as to allow yourself some leeway in case you're delayed.) margem* * *lee.way[l'i:wei] n 1 deriva, declinação da rota. 2 espaço lateral adicional. 3 tempo ou dinheiro de reserva. 4 espaço ou margem para ação, liberdade de movimento, tolerância. to make up leeway recuperar tempo, espaço perdido. -
17 leeway
noun1) (Naut.) Leeweg, der; Abdrift, die2) (fig.) Spielraum, der* * *1) (the drifting of a ship etc away from its true course, or the amount of this.) die Abdrift2) (lost time: He has a lot of leeway to make up at school after being away ill.) der Rückstand3) (extra space, time etc allowed: Book the later flight so as to allow yourself some leeway in case you're delayed.) der Spielraum* * *lee·way[ˈli:weɪ]to give sb \leeway jdm Spielraum einräumento be left \leeway to do sth Spielraum haben, um etw zu tunto make up \leeway Liegengebliebenes aufarbeiten* * *['liːweɪ]nhe has given them too much leeway — er hat ihnen zu viel Freiheit or Spielraum gelassen
to make up the leeway — den Zeitverlust aufholen
there's a lot of leeway to make up — es gibt viel nachzuarbeiten, ein großer Rückstand muss aufgeholt werden
* * *leeway s1. SCHIFF Leeweg m, Abtrift f:make leeway (vom Kurs) abtreiben2. FLUG Abtrift f3. fig Rückstand m, Zeitverlust m:4. fig Spielraum m:allow sb great leeway jemandem großen Spielraum einräumen* * *noun1) (Naut.) Leeweg, der; Abdrift, die2) (fig.) Spielraum, derallow or give somebody leeway — jemandem Spielraum lassen
* * *n.Abdrift -e f.Spielraum m. -
18 Witney, William N.
1915-2002En sus inicios profesionales, a mediados de los anos 30, Witney hizo un poco de todo: fue montador, ayudante de direccion e, incluso, guionista, pero a partir de 1937 se dedico a la realizacion, convirtiendose en uno de los directores prolificos de Hollywood, en este caso para la productora Republic. En sus primeros anos como realizador, se especializo en seriales realizados en colaboracion, en particular con John English. La division del trabajo era sencilla: este rodaba las escenas de dialogo y los interiores, y Witney las escenas de accion. De este modo, fue adquiriendo justa fama como director de peliculas de accion, con grandes peleas y largas cabalgadas. Aunque la parte mas extensa de su filmografia la ocupan los westerns, es justo reconocer su labor en otros filmes de accion como Aventuras del capitan Maravillas (Adventures of Captain Marvel, 1941), se rial realizado con el ya citado John English. Como al gunos otros de sus companeros, sirvio extensamente a estrellas del western, en este caso Roy Rogers y Rex Allen. En sus peliculas hay de todo, pero no seria malo revisarlas con alguna atencion porque encontraremos en ellas no pocos detalles interesantes de personal estilo cinematografico.The Painted Stallion (co-d.: Alan James, Ray Taylor). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, LeRoy Mason, Duncan Renaldo, Julia Thayer.The Trigger Trio. 1937. 60 minutos. Blanco y Negro. Republic. Ray Corrigan, Max Terhune, Sandra Corday, Hal Taliaferro.Zorro Rides Again (co-d.: John English). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. John Caroll, Helen Christian.The Painted Stallion (co-d.: Alan James, Ray Taylor). 1938. 67 minutos. Blanco y Negro. Ray Corrigan, Hoot Gibson, Jean Carmen.The Lone Ranger (co-d.: John English). 1938. 264 minutos. 15 capitulos. Blanco y Negro. Republic. Lee Powell, Lynne Roberts, Bruce Bennett.The Lone Ranger Rides Again (co-d.: John English). 1939. 263 minutos. 15 capitulos. Blanco y Negro. Republic. Robert Livingston, Duncan Renaldo.Zorro’s Fighting Legion (co-d.: John English). 1939. 212 minutos. Blanco y Negro. Republic. Reed Hadley, Sheila Darcey.Heroes of the Saddle. 1940. 59 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Loretta Weaver, Patsy Lee Parsons.Hi-Yo Silver (co-d.: John English). 1940. 69 minutos. Blanco y Negro. Re public. Lee Powell, Lynne Roberts, Bruce Bennett.Adventures of Red Ryder (co-d.: John English). 1940. 205 minutos. 12 capitulos. Blanco y Negro. Republic. Don Barry, Noah Berry, Vivian Coe.King of the Royal Mounted (El rey de la policia montada) (co-d.: John English). 1940. 211 minutos. 12 capitulos. Blanco y Negro. Republic. Allan Lane, Robert Strange, Lita Conway.King of the Texas Rangers (co-d.: John English). 1941. 215 minutos. 12 ca pitulos. Blanco y Negro. Republic. Sammy Baugh, Pauine Moore, Duncan Renaldo.King of the Mounties. 1942. 196 minutos. 12 capitulos. Blanco y Negro. Republic. Allan Lane, Gilbert Emery, Peggy Drake.Outlaws of Pine Ridge. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Noah Beery.Yukon Patrol (co-d.: John English). 1942. 68 minutos. Blanco y Negro. Republic. Allan Lane, Robert Strange, Lita Conway.Roll on, Texas Moon. 1946. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.Home in Oklahoma. 1946. 72 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.Heldorado. 1946. 70 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.Apache Rose. 1947. 75 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Olin Howlin.Bells of San Angelo. 1947. 78 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Andy Devine.Springtime in the Sierras. 1947. 75 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.On the Old Spanish Trail. 1947. 75 minutos. Trucolor. Republic. Roy Ro gers, Jane Frazee, Andy Devine.The Gay Ranchero. 1948. 72 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.Under California Stars. 1948. 70 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.Eyes of Texas. 1948. 70 minutos. Trucolor. Republic. Roy Rogers, Lynne Roberts, Andy Devine.Nightime in Nevada. 1948. 67 minutos. Trucolor. Republic. Roy Rogers, Adele Mara, Andy Devine.Grand Canyon Trail. 1948. 67 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.The Far Frontier. 1948. 67 minutos. Trucolor. Republic. Roy Rogers, Gail Davis, Andy Devine.Susanna Pass. 1949. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Estelita Rodriguez.Down Dakota Way. 1949. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.The Golden Stallion. 1949. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.Bells of Coronado. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.Twilight in the Sierras. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.Trigger, Jr. 1950. 68 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady, Gordon Jones.Sunset in the West. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Penny Edwards, Gordon Jones, Estelita Rodriguez.North of the Great Divide. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Penny Edwards, Gordon Jones.Trail of Robin Hood. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Penny Edwards, Gordon Jones.Spoilers of the Plains. 1951. 68 minutos. Blanco y Negro. Republic. Roy Rogers, Penny Edwards, Gordon Jones.Heart of the Rockies. 1951. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Penny Edwards, Gordon Jones.In Old Amarillo. 1951. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Penny Edwards, Pinky Lee, Estelita Rodriguez.South of Caliente. 1951. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Pinky Lee.Pals of the Golden West. 1951. 68 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Pinky Lee, Estelita Rodriguez.Colorado Sundown. 1952. 67 minutos. Blanco y Negro. Republic. Rex Allen, June Vincent, Mary Ellen Kay, Slim Pickens.The Last Musketeer. 1952. 67 minutos. Blanco y Negro. Republic. Rex Allen, Mary Ellen Kay, Slim Pickens.Border Saddlemates. 1952. 67 minutos. Blanco y Negro. Republic. Rex Allen, Mary Ellen Kay, Slim Pickens.Old Oklahoma Plains. 1952. 60 minutos. Blanco y Negro. Republic. Rex Allen, Elaine Edwards, Slim Pickens.South Pacific Trail. 1952. 60 minutos. Blanco y Negro. Republic. Rex Allen, Estelita Rodriguez, Slim Pickens.Old Overland Trail. 1953. 60 minutos. Blanco y Negro. Republic. Rex Allen, Virginia Hall, Slim Pickens.Iron Mountain Trail. 1953. 54 minutos. Blanco y Negro. Republic. Rex Allen, Nan Leslie, Slim Pickens.Down Laredo Way. 1953. 54 minutos. Blanco y Negro. Republic. Rex Allen, Dona Drake, Marjorie Lord, Slim Pickens.Shadows of Tomsbtone. 1953. 54 minutos. Blanco y Negro. Republic. Rex Allen, Jeanne Cooper, Slim Pickens.The Outcast. 1954. 90 minutos. Trucolor. Republic. John Derek, Joan Evans, Jim Davis, Catherine McLeod.Santa Fe Passage (Senderos de violencia). 1955. 90 minutos. Trucolor. Republic. John Payne, Faith Domergue, Rod Cameron, Slim Pickens.Stranger at My Door (Un extrano a mi puerta). 1956. 85 minutos. Blanco y Negro. Republic. MacDonald Carey, Patricia Medina, Skip Homeier.Zorro Rides Again (co-d.: John English). 1959. 68 minutos. Blanco y Negro. Republic. John Carroll, Helen Christian, Duncan Renaldo.The Long Rope. 1961. 61 minutos. Blanco y Negro. CinemaScope. Fox. Hugh Marlowe, Lisa Montell, Alan Hale, Jr.Apache Rifles. 1964. 93 minutos. Color DeLuxe. Fox. Audie Murphy, Michael Dante, Linda Lawson.Arizona Raiders (El renegado de Arizona). 1965. 88 minutos. Technicolor. Techniscope. Admiral (Columbia). Audie Murphy, Michael Dante, Gloria Talbott, Ben Cooper.40 Guns to Apache Pass. 1967. 95 minutos. Eastmancolor. Admiral (Columbia). Audie Murphy, Laraine Stephens, Michael Burns.English-Spanish dictionary of western films > Witney, William N.
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19 wind
I 1. noun1) Wind, derbe in the wind — (fig.) in der Luft liegen
see how or which way the wind blows or lies — (fig.) sehen, woher der Wind weht
sail close to or near the wind — hart am Wind segeln; (fig.) sich hart an der Grenze des Erlaubten bewegen
take the wind out of somebody's sails — (fig.) jemandem den Wind aus den Segeln nehmen
the wind[s] of change — ein frischer Wind (fig.)
2) no pl. (Mus.) (stream of air) (in organ) Wind, der; (in other instruments) Luftstrom, der; (instruments) Bläser3)get wind of something — (fig.) Wind von etwas bekommen
4) no pl., no indef. art. (flatulence) Blähungenget/have the wind up — (coll.) Manschetten (ugs.) od. Schiss (salopp) kriegen/haben
put the wind up somebody — (coll.) jemandem Schiss machen (salopp)
5) (breath)lose/have lost one's wind — außer Atem kommen/sein
recover or get one's wind — wieder zu Atem kommen
2. transitive verbget one's second wind — (lit. or fig.) sich wieder steigern
II 1. intransitive verb,he was winded by the blow to his stomach — nach dem Schlag in die Magengrube schnappte er nach Luft
2) (coil) sich wickeln2. transitive verb,wind something off something/on [to] something — etwas von etwas [ab]wickeln/auf etwas (Akk.) [auf]wickeln
wind somebody round one's finger — jemanden um den Finger wickeln (ugs.)
2) (with key etc.) aufziehen [Uhr]3)wind one's/its way — sich winden; sich schlängeln
4) (coil into ball) zu einem Knäuel/zu Knäueln aufwickeln5) (surround) wickeln6) (winch) winden3. noun1) (curve) Windung, die2) (turn) Umdrehung, diePhrasal Verbs:- academic.ru/93794/wind_back">wind back- wind on- wind up* * *I 1. [wind] noun1) ((an) outdoor current of air: The wind is strong today; There wasn't much wind yesterday; Cold winds blow across the desert.) der Wind2) (breath: Climbing these stairs takes all the wind out of me.) die Luft3) (air or gas in the stomach or intestines: His stomach pains were due to wind.) die Blähung2. verb(to cause to be out of breath: The heavy blow winded him.) den Atem nehmen3. adjective((of a musical instrument) operated or played using air pressure, especially a person's breath.) Blas-...- windy- windiness
- windfall
- windmill
- windpipe
- windsurf
- windsurfer
- windsurfing
- windscreen
- windsock
- windsurf
- windsurfer
- windsurfing
- windswept
- get the wind up
- get wind of
- get one's second wind
- in the wind
- like the wind II past tense, past participle - wound; verb1) (to wrap round in coils: He wound the rope around his waist and began to climb.) winden2) (to make into a ball or coil: to wind wool.) aufwickeln4) (to tighten the spring of (a clock, watch etc) by turning a knob, handle etc: I forgot to wind my watch.) aufziehen•- winder- winding
- wind up
- be/get wound up* * *wind1[wɪnd]I. nthere isn't enough \wind es ist nicht windig genugthe \wind started to pick up der Wind frischte aufthe \wind is in the east/north/south/west der Wind kommt aus Osten/Norden/Süden/Westena breath of \wind ein Lüftchen nt, ein Windhauch mthere wasn't a breath of \wind es regte sich kein Lüftchento throw caution/sb's advice to the \winds ( fig) alle Vorsicht/jds Ratschlag in den Wind schlagena \wind of change ( fig) ein frischer Windgust of \wind Windstoß m, Windböe fto see which way the \wind is blowing ( also fig) sehen, woher der Wind wehtto sail close to the \wind NAUT hart am Wind segeln; ( fig) sich akk hart an der Grenze des Erlaubten bewegento go/run like the \wind laufen/rennen wie der Windto run before the \wind vor dem Wind segelnto get one's \wind wieder Luft kriegento knock the \wind out of sb ( fig) jdm den Atem verschlagenhe's full of \wind er ist ein Schaumschläger pejgarlic gives me dreadful \wind von Knoblauch bekomme ich fürchterliche Blähungento break \wind einen fahrenlassen famto suffer from \wind Blähungen habenthere's something in the \wind ( fig) es liegt etwas in der Luftto get the \wind up Schiss kriegen oft pej derbto put the \wind up sb jdm Angst einjagentell them your father's a policeman, that'll put the \wind up them! sag ihnen, dein Vater ist Polizist, dann kriegen sie Muffensausen! fam8.II. vt▪ to \wind sb jdm den Atem nehmenthe blow to the stomach \winded me durch den Schlag in den Bauch blieb mir die Luft wegto be/get \winded außer Atem sein/geratento \wind a baby ein Baby ein Bäuerchen machen lassen3. (scent)▪ to \wind sb/sth jdn/etw wittern1. energy, power, turbine Wind-\windmill Windmühle f\wind player Bläser(in) m(f)wind2[waɪnd]I. nto give sth a \wind etw aufziehenII. vt<wound, wound>1. (wrap)▪ to \wind sth etw wickelnto \wind wool/yarn into a ball Wolle/Garn zu einem Knäuel aufwickelnshe wound her arms around me sie schlang ihre Arme um michto \wind a film onto a reel einen Film auf eine Rolle spulen2. (cause to function)to \wind a clock/watch eine Uhr/Armbanduhr aufziehen3. (turn)▪ to \wind sth etw winden [o kurbeln]to \wind a handle eine Kurbel drehen4. (move)to \wind one's way sich akk schlängeln▪ to \wind sth etw spulento \wind a film/tape back[wards]/forwards einen Film/ein Band zurück-/vorspulenIII. vi<wound, wound>to \wind back[wards]/forwards film, tape zurück-/vorspulen* * *I [wɪnd]1. n1) Wind mto sail close to the wind (fig) — sich hart an der Grenze des Erlaubten bewegen; (Naut) hart am Wind segeln
to put the wind up sb ( Brit inf ) —
to see which way the wind blows (fig) — sehen, woher der Wind weht
he's full of wind (fig) — er ist ein Schaumschläger (inf), er macht viel Wind (inf)
2)3)(compass point)
to the four winds — in alle (vier) Windeto bring up wind — aufstoßen; (baby also) ein Bäuerchen machen
5) (= breath) Atem m, Luft f (inf)6) (MUS: wind instruments) Bläser pl, Blasinstrumente pl2. vt1) (Brit: knock breathless) den Atem nehmen (+dat)2) (= scent) wittern3) horses verschnaufen lassen4) baby ein Bäuerchen machen lassenII [waɪnd] vb: pret, ptp wound1. vt3)(= proceed by twisting)
to wind one's way — sich schlängeln2. vi1) (river etc) sich winden or schlängeln2)how does it wind? (watch) (handle) — wie herum zieht man es auf? wie dreht or kurbelt man es?
it won't wind — er/es lässt sich nicht aufziehen; (handle) er/es lässt sich nicht drehen or kurbeln
3. n1)give it one more wind — zieh es noch eine Umdrehung weiter auf; (handle) kurbele or drehe es noch einmal weiter
2) (= bend) Kehre f, Windung f* * *wind1 [wınd]A s1. Wind m:wind and weather permitting bei gutem Wetter;before the wind vor dem oder im Wind;a) SCHIFF zwischen Wind und Wasser,b) fig in einer prekären Situation;in(to) the wind’s eye gegen den Wind;like the wind wie der Wind, schnell;under the wind SCHIFF in Lee;there is too much wind es ist zu windig;there is sth in the wind fig es liegt etwas in der Luft;be (three sheets) in the wind umg Schlagseite haben;have (take) the wind of fig einen Vorteil haben (gewinnen) gegenüber, die Oberhand haben (gewinnen) über (akk);put the wind up sb umg jemandem Angst einjagen;raise the wind bes Br umg (das nötige) Geld auftreiben;a) SCHIFF hart am Wind segeln,b) fig sich am Rande der Legalität oder hart an der Grenze des Erlaubten bewegen, mit einem Fuß im Gefängnis stehen;sow the wind and reap the whirlwind Wind säen und Sturm ernten;2. Sturm m3. (Gebläse- etc) Wind m4. a) MED (Darm)Winde pl, Blähungen pl:break wind einen Wind abgehen lassen;get wind Blähungen bekommen;onions give you wind Zwiebeln blähenb) Rülpser pl umg:cola tends to give me wind auf Cola muss ich immer aufstoßen oder umg rülpsen6. JAGD Wind m, Witterung f (auch fig):a) wittern (akk),b) fig Wind bekommen von;get wind that … Wind davon bekommen, dass …7. Atem m:have a good wind eine gute Lunge haben;have a long wind einen langen Atem haben (a. fig);8. umg leeres GeschwätzB v/t1. JAGD witternbe winded außer Atem sein3. verschnaufen lassenwind2 [waınd]A s1. Windung f, Biegung f2. Umdrehung f (beim Aufziehen einer Uhr etc)B v/i prät und pperf wound [waʊnd]3. a) aufgewunden oder aufgewickelt werdenb) sich aufwinden oder -wickeln lassenC v/t1. winden, wickeln, schlingen ( alle:round um):2. umwickeln ( with mit)a) auf-, hochwinden,b) Garn etc aufwickeln, -spulena) eine Uhr etc aufziehen,b) eine Saite etc spannen6. wind o.s. schlängeln:wind o.s. ( oder one’s way) into sb’s affection fig sich jemandes Zuneigung erschleichen, sich bei jemandem einschmeicheln7. SCHIFFa) wendenb) hieven8. a) eine Kurbel drehenb) kurbeln:wind up (down) ein Autofenster etc hochdrehen, -kurbeln (herunterdrehen, -kurbeln)wind back zurückspulen1. das Horn etc blasen2. ein Hornsignal ertönen lassen* * *I 1. noun1) Wind, derbe in the wind — (fig.) in der Luft liegen
see how or which way the wind blows or lies — (fig.) sehen, woher der Wind weht
sail close to or near the wind — hart am Wind segeln; (fig.) sich hart an der Grenze des Erlaubten bewegen
take the wind out of somebody's sails — (fig.) jemandem den Wind aus den Segeln nehmen
the wind[s] of change — ein frischer Wind (fig.)
2) no pl. (Mus.) (stream of air) (in organ) Wind, der; (in other instruments) Luftstrom, der; (instruments) Bläser3)get wind of something — (fig.) Wind von etwas bekommen
4) no pl., no indef. art. (flatulence) Blähungenget/have the wind up — (coll.) Manschetten (ugs.) od. Schiss (salopp) kriegen/haben
put the wind up somebody — (coll.) jemandem Schiss machen (salopp)
5) (breath)lose/have lost one's wind — außer Atem kommen/sein
recover or get one's wind — wieder zu Atem kommen
2. transitive verb II 1. intransitive verb,get one's second wind — (lit. or fig.) sich wieder steigern
2) (coil) sich wickeln2. transitive verb,1) (coil) wickeln; (on to reel) spulenwind something off something/on [to] something — etwas von etwas [ab]wickeln/auf etwas (Akk.) [auf]wickeln
2) (with key etc.) aufziehen [Uhr]3)wind one's/its way — sich winden; sich schlängeln
4) (coil into ball) zu einem Knäuel/zu Knäueln aufwickeln5) (surround) wickeln6) (winch) winden3. noun1) (curve) Windung, die2) (turn) Umdrehung, diePhrasal Verbs:- wind on- wind up* * *(round) v.wickeln (um) v. v.(§ p.,p.p.: wound)= abspulen v.aufspulen v.aufwickeln v.drehen v.schlängeln v.sich winden v.winden v.(§ p.,pp.: wand, gewunden) n.Wind -e m. -
20 for
fo:
1. preposition1) (to be given or sent to: This letter is for you.) para2) (towards; in the direction of: We set off for London.) para, hacia, en dirección a3) (through a certain time or distance: for three hours; for three miles.) durante4) (in order to have, get, be etc: He asked me for some money; Go for a walk.) (pedir dinero); (salir) a (pasear)5) (in return; as payment: He paid $2 for his ticket.) por6) (in order to be prepared: He's getting ready for the journey.) para7) (representing: He is the member of parliament for Hull.) por8) (on behalf of: Will you do it for me?) por9) (in favour of: Are you for or against the plan?) por, a favor de10) (because of: for this reason.) por, a causa de11) (having a particular purpose: She gave me money for the bus fare.) para12) (indicating an ability or an attitude to: a talent for baking; an ear for music.) para13) (as being: They mistook him for someone else.) por, para14) (considering what is used in the case of: It is quite warm for January (= considering that it is January when it is usually cold).) para15) (in spite of: For all his money, he didn't seem happy.) a pesar de
2. conjunction(because: It must be late, for I have been here a long time.) ya que, puesto quefor prep1. parais this the train for London? ¿es éste el tren que va a Londres?2. porI bought it for £12 lo compré por 12 libraswhat can I do for you? ¿qué puedo hacer por ti?3. desde hace4. durante5. de"T" for Tony "T" de Tonywhat's the word for "cheese" in Spanish? ¿cómo se dice "cheese" en español?6. a favor deare you for the plan, or against it? ¿estás a favor del plan, o en contra?tr[fɔːSMALLr/SMALL]1 (intended) para■ there's a phone call for Mr. Smith hay una llamada para el Sr. Smith2 (purpose) para■ what's this for? ¿para qué sirve esto?■ shall we meet for lunch? ¿quedamos para comer?3 (destination) para■ where do I catch the train for Newcastle? ¿dónde se coge el tren para Newcastle?4 (in order to help, on behalf of) por5 (because of, on account of) por, a causa de■ a meeting has been called for 10.00 se ha convocado una reunión para las 10.00■ I've lived here for 5 years hace 5 años que vivo aquí, vivo aquí desde hace 5 años■ it's the first accident here for a long time es el primer accidente que ocurre aquí desde hace mucho tiempo8 (in exchange, as replacement of) por■ I got it for £500 lo conseguí por 500 libras■ the record went for $50 el disco se vendió por 50 dólares9 (in favour of, in support of) por, a favor de■ who did you vote for? ¿a quién votaste?■ are you for or against the new laws? ¿estás a favor o en contra de las nuevas leyes?10 (despite) a pesar de, para; (considering, contrast) para■ I still love him, for all his faults lo quiero, a pesar de todos sus defectos11 (as) de, como, por■ what do they use for fuel? ¿qué utilizan de combustible?12 (in order to obtain) para■ for further details... para más información....13 (representing) por; (meaning) de■ I can't go to the meeting - will you go for me? no puedo asistir a la reunión - ¿quieres ir en mi lugar?■ what's the Spanish for "pool"? ¿cómo se dice "pool" en castellano?14 (as regards, concerning) por, en cuanto a■ for my part, he can do as he likes por mí, que haga lo que quiera■ as for him, who cares? en cuanto a él, ¿a quién le importa?■ luckily for us, it didn't rain afortunadamente para nosotros, no llovió15 (as part of, as being) por, para■ do you know that for a fact? ¿lo sabes a ciencia cierta?■ what do you want for dinner? ¿qué quieres para comer?1 para16 formal use literal ya que, puesto que\SMALLIDIOMATIC EXPRESSION/SMALLas for me por mi parte, en cuanto a mífor all I know que yo sepafor all that a pesar de todo, con todofor good para siemprefor the first time por primera vezfor the last time por última vezoh for...! ¡ojalá tuviera...!■ oh for a star to guide my way! ¡ojalá tuviera una estrella que me guiara los pasos!there's nothing for it but... no hay más remedio que...to be for it cargárselafor ['fɔr] conj: puesto que, porquefor prepclothes for children: ropa para niñosit's time for dinner: es la hora de comer2) because of: porfor fear of: por miedo dea gift for you: un regalo para tihe fought for his country: luchó por su patriaa cure for cancer: una cura para el cáncerfor your own good: por tu propio bienI bought it for $5: lo compré por $5a lot of trouble for nothing: mucha molestia para nada7) as for: para, con respecto ahe's going for two years: se va por dos añosI spoke for ten minutes: hablé (durante) diez minutosshe has known it for three months: lo sabe desde hace tres mesesconj.• para conj.• pues conj.• ya que conj.n.• por s.m.prep.• a causa de prep.• como prep.• de prep.• durante prep.• en honor de prep.• en lugar de prep.• para prep.• por prep.
I fɔːr, fɔː(r), weak form fər, fə(r)1) preposition2)a) ( intended for) parais there a letter for me? — ¿hay carta para mí?
clothes for men/women — ropa de hombre/mujer
is it for sale? — ¿está en venta?, ¿se vende?
b) ( on behalf of) porhe plays for England — forma parte de or juega en la selección inglesa
c) ( in favor of) a favor de3) ( indicating purpose)what's that for? — ¿para qué es eso?, ¿eso para qué sirve?
it's for trimming hedges — es or sirve para recortar setos
to go out for a meal — salir* a comer fuera
to be for it — (colloq)
here comes Dad, we're for it now! — ahí viene papá ahora sí que estamos listos or (Col tb) hechos or (CS tb) fritos! (fam)
4)a) (as)we're having chicken for dinner — vamos a cenar pollo or hay pollo para cenar
what's for dessert? — ¿qué hay de postre?
b) ( representing)what's (the) German for ``ice cream''? — ¿cómo se dice ``helado'' en alemán?
c) ( instead of) porcould you call him for me? — ¿podrías llamarlo tú?, ¿me harías el favor de llamarlo?
5) ( giving reason) porif it weren't for Joe... — si no fuera por Joe...
for one thing it's too costly and for another we don't need it — para empezar es muy caro y además no lo necesitamos
6)a) ( in exchange for) porI bought the book for $10 — compré el libro por 10 dólares
b) ( indicating proportion) porfor every one we find, there are 20 that get away — por cada uno que encontramos, se nos escapan 20
7)a) ( as concerns) para8)a) ( in spite of)for all her faults, she's been very kind to us — tendrá sus defectos, pero con nosotros ha sido muy buena
is there time for us to have a cup of coffee? — ¿tenemos tiempo de tomar un café?
9) ( in exclamations)oh, for some peace and quiet — qué (no) daría yo por un poco de paz y tranquilidad!
10) ( in the direction of) parathe plane/bus for New York — el avión/autobús para or de Nueva York
11)a) ( indicating duration)I've only been here for a day — sólo llevo un día aquí, hace sólo un día que estoy aquí
how long are you going for? — ¿por cuánto tiempo vas?, ¿cuánto tiempo te vas a quedar?
b) ( on the occasion of) parac) (by, before) para12) ( indicating distance)
II
conjunction (liter) pues (liter), puesto que (frml), porque[fɔː(r)] When for is part of a phrasal verb, eg look for, make for, stand for, look up the verb. When it is part of a set combination, eg as for, a gift for, for sale, eager for, look up the other word.1. PREPOSITION1) (=going to) parathe train for London — el tren para or de Londres
2) (=intended for) parais this for me? — ¿es para mí esto?
3) (to express purpose) parawe went to Tossa for our holidays — fuimos a pasar las vacaciones a Tossa, fuimos a Tossa para las vacaciones
•
what for? — ¿para qué?what's it for? — ¿para qué es or sirve?
what do you want it for? — ¿para qué lo quieres?
what did you do that for? — ¿por qué hiciste eso?
4) (employment) para5) (=on behalf of)"I can't iron this shirt" - "don't worry, I'll iron it for you" — -no puedo planchar esta camisa -no te preocupes, yo te la plancho
"I still haven't booked the ticket" - "I'll do it for you" — -no he reservado el billete todavía -ya lo haré yo
who is the representative for your group? — ¿quién es el representante de vuestro grupo?
6) (=as in) de7) (=in exchange for) porhe'll do it for £25 — lo hará por 25 libras
for every one who voted yes, 50 voted no — por cada persona que votó a favor, 50 votaron en contra
•
to pay 50 pence for a ticket — pagar 50 peniques por una entradathe government will match each donation pound for pound — el gobierno igualará cada donativo, libra a libra
•
I sold it for £5 — lo vendí por or en 5 libras8) (=to the value of)a cheque for £500 — un cheque or talón por valor de 500 libras
how much is the cheque for? — ¿por cuánto es el cheque?
a) (making comparisons) parahe's tall/mature for his age — es alto/maduro para su edad or para la edad que tiene
b) (specifying)it was too difficult for her — era demasiado difícil para ella, le era demasiado difícil
that's easy for you to say — para ti es fácil decirlo, a ti te es fácil decirlo
10) (=in favour of) a favor deanyone for a game of cards? — ¿alguien se apunta a una partida de cartas?
•
are you for or against the idea? — ¿estás a favor o en contra de la idea?are you for or against us? — ¿estás con nosotros o en contra?
•
I'm all for it — estoy completamente a favor•
the campaign for human rights — la campaña pro derechos humanos, la campaña en pro de los derechos humanos•
a collection for the poor — una colecta a beneficio de los pobres11) (=as, by way of)what's for dinner? — ¿qué hay para cenar?
12) (=because of) por•
for fear of being criticized — por miedo a la crítica, por temor a ser criticado13) (=in spite of) a pesar de•
for all his wealth — a pesar de su riquezafor all he promised to come, he didn't — a pesar de habérmelo prometido, no vino
a) (future/past duration)When translating for and a period of time, it is often unnecessary to translate for, as in the examples below where durante is optional:Alternatively, translate [for] using [durante], or, especially when talking about very short periods, [por]. Use [por] also with the verb [ir], although again it is often optional in this case:I'm going for three weeks — me voy tres semanas, estaré allí tres semanas
for a moment, he didn't know what to say — por un momento, no supo qué decir
Use hace... que and the present to describe actions and states that started in the past and are still going on. Alternatively use the present and desde hace. Another option is sometimes llevar and the gerund. Don't use the present perfect in Spanish to translate phrases like these, unless they are in the negative.he won't be back for a couple of hours/days — no regresará hasta dentro de un par de horas/días, tardará un par de horas/días en regresar
he has been learning French for two years — hace dos años que estudia francés, estudia francés desde hace dos años, lleva dos años estudiando francés
it has not rained for 3 weeks — hace 3 semanas que no llueve, no llueve or no ha llovido desde hace 3 semanas, lleva 3 semanas sin llover
I have known her for years — hace años que la conozco, la conozco desde hace años
Notice how the tenses change when talking about something that [had] happened or [had been] happening [for] a time:I haven't seen her for two years — hace dos años que no la veo, no la he visto desde hace dos años, no la veo desde hace dos años, llevo dos años sin verla
he had been learning French for two years — hacía dos años que estudiaba francés, estudiaba francés desde hacía dos años, llevaba dos años estudiando francés
I hadn't seen her for two years — hacía dos años que no la veía, no la había visto desde hacía dos años, no la veía desde hacía dos años, llevaba dos años sin verla
15) (=by, before) paracan you do it for tomorrow? — ¿lo puedes hacer para mañana?
when does he want it for? — ¿para cuándo lo quiere?
16) (=on the occasion of) parahe asked his daughter what she would like for her birthday — le preguntó a su hija qué le gustaría para su cumpleaños
17) (=for a distance of)you can see for miles from the top of the hill — desde lo alto de la colina se puede ver hasta muy lejos
for this to be possible... — para que esto sea posible...
it's not for me to tell him what to do — yo no soy quien para decirle or no me corresponde a mí decirle lo que tiene que hacer
•
it's bad for you to smoke so much — te perjudica fumar tanto•
it's best for you to go — es mejor que te vayas•
there is still time for you to do it — todavía tienes tiempo para hacerlowhat's the German for "hill"? — ¿cómo se dice "colina" en alemán?
oh for a cup of tea! — ¡lo que daría por una taza de té!
exampleI'll be for it if he catches me here! * — ¡me la voy a cargar si me pilla aquí! *
2.CONJUNCTION liter pues, puesto queshe avoided him, for he was rude and uncouth — lo eludía puesto que or pues era grosero y ordinario
* * *
I [fɔːr, fɔː(r)], weak form [fər, fə(r)]1) preposition2)a) ( intended for) parais there a letter for me? — ¿hay carta para mí?
clothes for men/women — ropa de hombre/mujer
is it for sale? — ¿está en venta?, ¿se vende?
b) ( on behalf of) porhe plays for England — forma parte de or juega en la selección inglesa
c) ( in favor of) a favor de3) ( indicating purpose)what's that for? — ¿para qué es eso?, ¿eso para qué sirve?
it's for trimming hedges — es or sirve para recortar setos
to go out for a meal — salir* a comer fuera
to be for it — (colloq)
here comes Dad, we're for it now! — ahí viene papá ahora sí que estamos listos or (Col tb) hechos or (CS tb) fritos! (fam)
4)a) (as)we're having chicken for dinner — vamos a cenar pollo or hay pollo para cenar
what's for dessert? — ¿qué hay de postre?
b) ( representing)what's (the) German for ``ice cream''? — ¿cómo se dice ``helado'' en alemán?
c) ( instead of) porcould you call him for me? — ¿podrías llamarlo tú?, ¿me harías el favor de llamarlo?
5) ( giving reason) porif it weren't for Joe... — si no fuera por Joe...
for one thing it's too costly and for another we don't need it — para empezar es muy caro y además no lo necesitamos
6)a) ( in exchange for) porI bought the book for $10 — compré el libro por 10 dólares
b) ( indicating proportion) porfor every one we find, there are 20 that get away — por cada uno que encontramos, se nos escapan 20
7)a) ( as concerns) para8)a) ( in spite of)for all her faults, she's been very kind to us — tendrá sus defectos, pero con nosotros ha sido muy buena
is there time for us to have a cup of coffee? — ¿tenemos tiempo de tomar un café?
9) ( in exclamations)oh, for some peace and quiet — qué (no) daría yo por un poco de paz y tranquilidad!
10) ( in the direction of) parathe plane/bus for New York — el avión/autobús para or de Nueva York
11)a) ( indicating duration)I've only been here for a day — sólo llevo un día aquí, hace sólo un día que estoy aquí
how long are you going for? — ¿por cuánto tiempo vas?, ¿cuánto tiempo te vas a quedar?
b) ( on the occasion of) parac) (by, before) para12) ( indicating distance)
II
conjunction (liter) pues (liter), puesto que (frml), porque
- 1
- 2
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